thrinodia

by HAUNTER

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1.
the wave of consciousness adjourned, by my hand the ash of cedar fills the crevices of this being plasma oxidized (by self infliction) brought against my own odium diluted into the bile and the shavings of a cadaver's horn this transcendence taking form of perinatal anguish an inner awakening of intrinsic mystical premonition the wave of consciousness adjourned, by my hand
2.
Untitled 05:13
the depths ululate and bellow jutting through the maelstrom tellurian remains float by the light attempts to pierce through to the chasms and trenches where light had not visited often where others were not as kind the truth swirls towards the bottom while the cages sink at the bottom weighed by the guilt and burden of consciousness a bastille and cause of this misery unending the light attempts to pierce through to the chasms and trenches where light had not visited often where others were not as kind the truth swirls towards the bottom while the cages sink celestial interference of the human core flooded and drowned in a fleet of psychosis the feeble thought patterns through windows a war saturated dawn reflects through the glass sacral plexus nerves dwindle into ash and detachment of being of elevated galaxies
3.
subjected to unverifiable nature and the repercussions of descent moonlight dims for foreshadowing regression, yet to endure all traits of value, unstitched from which the source of intrusion detached from the physical form lies in anonymity and ease detached from the physical form numbed into impassivity awareness concealed flaked tissue of the carcass flesh wrested; unveiling filth as the new self the embodiment of a peasant takes the new breath numbed into impassivity awareness concealed i reject continuance with the depraved footprint of man i consent to the dispirit purge vile vacillations eradication is absolute it is my undertaking to withstand the ecliptic reassessment of fervency or to reject sentience reject stagnation
4.
my body is obsolete a fluid motion of separation chasing an impression of apnea and cessation to be projected into temporal nirvana prying the roots the density of the looming smoke seeping into the depths of the wretched earth lucid abandonment, awoken to the blackened slate the birth of what never existed despite the treacherous, agonizing paralysis of dysphoria polarized in retrospect of what resides
5.
vials of impurity uniform dogmatic imposition the years of willful torment and denial, petrified each vial uncapped Each filled with shame of ancestry The quench of fellow blood. conscious misconstruction habilitated with ideals of hypocrisy construed and executed without doubt, without consideration void of necessary principles abstained from doubt under the petals of a shriveled orchid
6.
Vial 02:46
revealed pathways to cognitive infiltration exploiting vulnerability awaiting growth of irreversible consequence ecliptic figures multiplied as eyes dilate demoniacally the stare of absurdity overwhelming humility the fear of scrutiny prevails in inaction ecliptic figures multiplied as eyes dilate demoniacally the security of equilibrium my sole prerequisite brought to a shrouded moor masked in tinted vapor tainting internal purity
7.
Thrinodia 14:23
a deafening hum masks the stars steam exiting earth with vigor the noxious gas of the time before time when the ooze was malleable and fertile but now the beings opposition floresiensis; frightened the ash scatters the group everything in this thee hour of deluge leaves no room for permanency callused, bloody the coal and inconsistent landscape now freckled with the sediment mixed with bone and carrion the stench coats and suffocates the old, the young, the ill from the cervix of all that is through the mantle and shifting plates all life brinks on extinction green has no place in this time the stars are the only consistency here the spear constantly sharpened but the fauna are free and far between the elders are left behind population in decline the grouping getting thinner human extinction now the sands erased our time the time before times population in decline human extinction now reality from which one dissociates. the meta objective observer. two steps away from sociopathy solipsism conflicted by everyone’s emotions departed by will, where unseen dust shall pile over coexisting with fear a deafening hum masks the stars steam exiting earth with vigor the noxious gas of the time thrown into murky waters and dwelt in mud i resemble a creature not a person

about

HAUNTER "thinodia" LP
vendetta records #155

credits

released April 27, 2018

Haunter’s debut album, Thrinodia delivers forty-six and a half minutes of aggressive, filth-encrusted Black/Death Metal, heavy on gritty, grating nihilism and grim, sombre melody, without mercy or compromise.

That being said, the surprisingly solemn, slow-burn introduction to “Perinatal Odium Dilute” (complete with some captivating bass/guitar interplay) reminds me quite a bit of the dearly-departed Ludicra, although the savage torrent of blackend venom and vitriol which follows is several shades darker and several times more vicious.

The two bands do share a similar penchant, however, for interweaving hellishly hooky riffs and subdued, shadowy melodies into the mix, as the eerily headbangable finale to “Perinatal Odium Dilute” and the sublime second half of the savage “Untitled” so aptly demonstrate.

The vocals of Bradley Tiffin are unflinchingly bestial throughout, and are frequently employed more as simply another instrument in the collective cacophony, rather than as something separate in their own right, rising from a rumbling, blast-furnace roar to a chalkboard-scraping shriek, sometimes reaching a level of apoplectic fury (see the barnburning “Vial” for proof) which renders them nearly indecipherable.

“Thus My Undertaking, to Reject Stagnation, and to Liberate Fervency” may have a knowingly pretentious title, but it just so happens to be one of the album’s best (and most varied) songs, transitioning from its haunting, minimalist intro into a raging torrent of scorched-earth guitar work and lithe, limber bass lines, before running through a violent sequence of of straining, strangling tremolo runs, chaotic blast-work, and dreary, disconsolate melodic interludes, with barely a pause for breath.

Following the surprisingly atmospheric (yet still shockingly intense) strains of “Apnoeic (Polarized in Retrospective Contempt)” – which is, by the way, another real stand-out – the album concludes with its fourteen-minute title-track, which, despite its extravagant run-time and the sheer density of its sonic assault, still manages to work in a number of brutally effective hooks and eerie melodic touches along the way, before finally culminating in a drawn-out finale of gloomy ambience and brooding distortion.

So, while this album isn’t perfect (the raging chaos of it all doesn’t always seem fully under the band’s control, and the unrefined density of their sound doesn’t always do them any favours), it’s still perfect for all of those with a jones for something ugly and uncompromising, something which doesn’t pull its punches, and which offers no excuses. ( no clean singing )

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vendetta records Berlin, Germany

lebend und sterbend nähren wir die flamme

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