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a hollow promise
00:44
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robes of crimson gold
06:31
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midwife
08:37
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vendetta records Schorfheide, Germany
lebend und sterbend nähren wir die flamme
To avoid getting tax added to your order just order from the vendetta bigcartel store:
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supported by 36 fans who also own “matriarch”
Very late to the party, but for several years I've found melodic black metal all too similar and all albums sounding like Dissection, etc... HOWEVER, not only I am back into it but UADA is still a layer of complexity above the main baseline and this is an old album worth having, that's a basic milestone in UADA's discography and I felt it needed to be part of my BC collection.
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Umbras de Barbagia
by Downfall of Nur
supported by 34 fans who also own “matriarch”
After listening to Ysyry Mollvün, listening to Downfall of Nur was urgent and turned out to be one of the best decisions I have made in quite some time: Umbras de Barbagia is simply magisterial; the atmosphere can hardly be compared to anything else. There is a deep, palpable connection to nature imbueing each very fibre of this record. The amalgamation of black metal and folk elements is done with a high intuition for detail and class, resulting in a highly immersive experience. Wonderful.
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by Mesarthim
supported by 33 fans who also own “matriarch”
I was always intrigued by this group's choice of album covers, it isn't every day that you see high quality space photos in this genre despite the rise of "cosmic" black metal. But the music blew me away, this sounds like Austere took the atmospheric spacey route. (I will assume it's a coincidence that both bands are Australian)
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Illusions In The Wake
by NOLTEM
featured on Bandcamp Radio Oct 29, 2021
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The harrowing black metal from this Olympia, WA artist demolishes like a typhoon—a whirling, threatening cloud of sound.
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Covenant of the Blackened Woodlands
by Ithilrå
featured on Bandcamp Radio Jan 19, 2024
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Life has gone on long enough
by NONE
supported by 32 fans who also own “matriarch”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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