Tobias Schmitt
The isolation really shines through this one. Dark, hateful and athmospheric, with a glimpse of light in the melodies on Track 2.
Favorite track: Forever Always Comes To An End.
An irrelevant witness upon a great tide of time.
A tide upon which I too shall be extinguished.
Surging ever forward, gruesomely poetical.
The hands are still - it's the world that's shaking,
cutting off my fingers, one by one.
There are no answers in this tempest,
there is no closure in death.
Seemingly silent and still, nightfall tightens the tourniquet of concern even further. Squeezing thoughts into choices measured on my three-fingered hand. My heart doesn't beat like before, crooked and cuffed to the floor.
Forget everything and remember: As another passing phase on the way to the grave visions start to skew and life will always provide one last chance to get it all wrong.
supported by 66 fans who also own “floors of heaven”
The band with the unforgettable logo and the alliteration concept (don't overdo it, guys!) released their first full-length and it slices emotions like grief, sadness and despair and serves them with a fresh taste. Irresistible drive and melodies - getting addicted to it.
Personally, I prefer the howled, whispered and shouted vocals of the last two tracks - more intense in my opinion. This band knows what they're aiming at, and do so with full force. Entleiber